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Available for purchase. Please check the For Sale Page for prices. 

Twins - 2023

Moon Girl Memories - 2023

Moon Girl.jpg

Helping Hand - 2023

Healing Hand - 2023.jpg

Persephone - 2023

Rose Gold Kiss - 2023

Spider Girl 2012.jpg

Down To Earth - 2023

Down To Earth - 2023.jpg

Pink Pink To Make The Boys Wink - 2023 (Series)

Pink I

Love Is War - 2022

Love is War - 2022.jpg
Pink II

La Petite Mord - 2022

Paris Man - 2022.jpg

Girls Night Out - 2022

Girls Night Out - 2022.jpg

Terms and Conditions - 2022

Chelsea-Anne Salter - Terms and Conditions - 2022.jpg

Garden of Eden- 2022

The Garden of Eden - 2022.jpg

Glitch Me - 2022 (Series)

Set out as a series, or works in their own right, Glitch Me, features selfies from my public Instagram, pixelated to the point of being unidentifiable. This represents the hidden identity of a person behind their screen, other than coloured pixels, the audience knows little to nothing about the person behind the pixels- in the same way, people in crime documentaries often have their faces pixelated to protect their identity. As a way to separate myself from the unsolicited comments, I considered them targeted towards my "pixels" rather than my true body. 

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Marchioness de Sad - Photo Series- 2022

In an age of digital anonymity and freedom, “Marchioness de Sad”, a play on Marquis de Sade whose name inspired “sadism” and “sadistic”, shows phrases from messages I have received on my cosplay Instagram account, the aesthetic of which is kept in the boarder of each image, in a repeated fashion. Like de Sade, they are sexually charged although while sensitive to some, I find them amusing in their audacity. This work does not serve to judge these senders, as they could be born from desperate loneliness rather than pure misogynistic behaviour, although it is important to acknowledge this behaviour as it becomes almost normalcy as the sender hides behind their screen. Regardless of which, they are over the line. The chosen photos are posts that invited such behaviour and I aim to also highlight the tension between my perceived strength as an “object” of fantasy and how I take back power from such comments. I do this through the use of dark humour exposing the sheer absurdity of the comments out of context, which brings up the question of context when it comes to unsolicited commentary about my body and people in general within a digital persona. 

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